Steven Beckly: Come to My Window
Artscape Youngplace Billboard
September 2016 to January 2017
Curated by Matthew Kyba
In Come to My Window, a finger presses against a plane window waiting for a reciprocal touch. It is looking for contact, longing for intimacy. The title is taken from the 1994 Grammy Award-winning song by Melissa Etheridge. The first single released from her album Yes I Am, it confesses Etheridge’s intense longing for a beloved while implicating the singer’s queerness and activism.
Captured from the clouds and situated outside Artscape Youngplace, the billboard expresses a similar and unfulfilled wish: a desire for a public and global intimacy that stems from the ground and blooms from the individual. Against the backdrop of windows that adorn the repurposed school, Beckly’s image becomes a public invitation to engage these openings as sites for social connection.
Matthew Kyba is an independent curator and Founder/Director of Bunker 2, a Toronto-based contemporary art and project space. He received his MFA for Criticism and Curatorial Practice from OCAD U and has organized shows in Toronto, Portland OR, and Kingston ON.
Critical Distance Centre for Curators (CDCC) provides opportunities for curators and artists to mount fully realized exhibitions within a critical framework. Through a wide-ranging annual program of exhibitions and projects supported by the production of original publications, editions, and events, CDCC is an open platform for diverse curatorial practices and perspectives, and a forum for the exchange of ideas on curating and exhibition-making as a way to engage and inform audiences from all walks of life.